GAZI UNIVERSITY INFORMATION PACKAGE - 2019 ACADEMIC YEAR

COURSE DESCRIPTION
TURKISH MUSIC THEORY V/ÇEB303
Course Title: TURKISH MUSIC THEORY V
Credits 4 ECTS 4
Semester 5 Compulsory/Elective Compulsory
COURSE INFO
 -- LANGUAGE OF INSTRUCTION
  Turkish
 -- NAME OF LECTURER(S)
  Lecturer VASFİ HATİPOĞLU
 -- WEB SITE(S) OF LECTURER(S)
  http://websitem.gazi.edu.tr/site/sgunalcin
 -- EMAIL(S) OF LECTURER(S)
  sgunalcin@gazi.edu.tr
 -- LEARNING OUTCOMES OF THE COURSE UNIT
Determining makams and gaining knowledge about melodic and pitch properties.
Preparing and Performing melodic scales in related maqams.







 -- MODE OF DELIVERY
  The mode of delivery of this course is Face to face
 -- PREREQUISITES AND CO-REQUISITES
  There is co-requisite of achieving previous course.
 -- RECOMMENDED OPTIONAL PROGRAMME COMPONENTS
  There is no recommended optional programme component for this course.
 --COURSE CONTENT
1. Week  Şevkutarab maqam.
2. Week  Şehnazbuselik maqam.
3. Week  Mahurbuselik maqam.
4. Week  Tahirbuselik maqam.
5. Week  Arazbarbuselik maqam.
6. Week  Sabâbuselik mmaqam.
7. Week  Hisarbuselik maqam.
8. Week  Midterm Exam
9. Week  Muhayyerkürdî maqam.
10. Week  Acemkürdî maqam.
11. Week  Nevakürdî maqam.
12. Week  Sabazamzeme maqam.
13. Week  Muhayyersünbüle maqam.
14. Week  General Rewiev
15. Week  General Rewiev
16. Week  Final Exam
 -- RECOMMENDED OR REQUIRED READING
  1. Arel Hüseyin Sadettin, Türk Mûsikîsi Nazariyatı Dersleri, Hüsnütabîat Matbaası, İstanbul 1968. 2. Ezgi Suphi, Nazarî ve Amelî Türk Mûsikîsi, C.1-V, Milli Mecmua Matbaası, İstanbul 1933 3. Kantemiroğlu Dimitri, Kitâbü’l-ilmü’l-Mûsikî alâ Vechi’l-Hurûfat, Tıpkı basım, çev: Yalçın Tura, Yapı Kredi Yay., İstanbul 2001. 4.Karadeniz Ekrem, Türk Mûsikîsinin Nazariye ve Esasları, İş Bankası Yay., Ankara 1983. 5. Kutluğ Yakup Fikret, Türk Mûsikîsinde Makamlar, Yapı Kredi Yay., İstanbul 2000. 6. Özkan İsmail Hakkı, Türk Mûsikîsi Nazariyatı ve Usûlleri, Ötüken Yay., İstanbul 2006. 8. Yahya Kaçar Gülçin, Türk Musikisi Rehberi, Maya Akademi yay.2012, Ankara
 -- PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
  Lecture, Question & Answer, Demonstration, Drill – Practise
 -- WORK PLACEMENT(S)
  Not Applicable
 -- ASSESSMENT METHODS AND CRITERIA
 
Quantity
Percentage
 Mid-terms
1
100
 Assignment
0
0
 Exercises
0
0
 Projects
0
0
 Practice
0
0
 Quiz
0
0
 Contribution of In-term Studies to Overall Grade  
50
 Contribution of Final Examination to Overall Grade  
50
 -- WORKLOAD
 Efficiency  Total Week Count  Weekly Duration (in hour)  Total Workload in Semester
 Theoretical Study Hours of Course Per Week
14
4
56
 Practising Hours of Course Per Week
0
 Reading
14
2
28
 Searching in Internet and Library
0
 Designing and Applying Materials
14
1
14
 Preparing Reports
0
 Preparing Presentation
0
 Presentation
0
 Mid-Term and Studying for Mid-Term
1
4
4
 Final and Studying for Final
2
4
8
 Other
0
 TOTAL WORKLOAD: 
110
 TOTAL WORKLOAD / 25: 
4.4
 ECTS: 
4
 -- COURSE'S CONTRIBUTION TO PROGRAM
NO
PROGRAM LEARNING OUTCOMES
1
2
3
4
5
1Students have knowledge Turkish Music aspect of historical, theoretical and performance.X
2Student grows as an performer
3Studenst have rich repertoire of Turkish music and can search Turkish music aspect of tune and melody features dissections.X
4Studenst have rich repertoire of Turkish music and can search Turkish music aspect of rhythm features dissections.X
5Studenst have rich repertoire of Turkish music and can search Turkish music aspect ofform features dissections.X
6Studenst have rich repertoire of Turkish music and can search Turkish music aspect of technical and aesthetic features dissections.
7Students can be chief for musical ansembles
8Students can lecture his/her majority
9Students has information about phisical specialities of voice and music.
10Student have a grasp of Turkish music theory.X
11Student can dechiherable of a music note.
12Student can write a note with computer program intrest with music (ect. finale)
13student can orthoepy composes that different forms exactly.
14Student can accompany to himself/herself with his/her instrument.
15Student get a solid grasp of Turkish Music Culture.
16Student has realize that Turkish Music notes and tones and he/she can performance compose with high sensibility.X
17Students has inform about western music theory.
18Student can understand and translate to actual Turkish alphabet poems of Ottoman Poetry
19Students can make voice records at proffessional or amateur music studios.
20Students can compose his/her majority according to regional specialities.