GAZI UNIVERSITY INFORMATION PACKAGE - 2019 ACADEMIC YEAR

COURSE DESCRIPTION
VIDEO ART I/FOV 223
Course Title: VIDEO ART I
Credits 3 ECTS 3
Semester 3 Compulsory/Elective Elective
COURSE INFO
 -- LANGUAGE OF INSTRUCTION
  Turkish
 -- NAME OF LECTURER(S)
  Kurtuluş Özgen
 -- WEB SITE(S) OF LECTURER(S)
  http://websitem.gazi.edu.tr/kozgen/
 -- EMAIL(S) OF LECTURER(S)
   kozgen@gazi.edu.tr
 -- LEARNING OUTCOMES OF THE COURSE UNIT
Students learn videoart concept and history
Students learn intorduction to contemporary art
Students learn intorduction to introduction postmodern art
 -- MODE OF DELIVERY
  The mode of delivery of this course is Face to face
 -- PREREQUISITES AND CO-REQUISITES
  There is no prerequisite or co-requisite for this course.
 -- RECOMMENDED OPTIONAL PROGRAMME COMPONENTS
   There is no recommended optional programme component for this course.
 --COURSE CONTENT
1. Week  Videoart as an art form
2. Week  Prehistory of videoart: German Expressionism
3. Week  Prehistory of videoart: German Expressionism
4. Week  Prehistory of videoart: Soviet Montage Cinema
5. Week  Prehistory of videoart: Soviet Montage Cinema
6. Week  Das Cabinet des Dr. Caligari (1920), Bronenosets Potemkin (1925)
7. Week  Midterm Exam
8. Week  Dadaism, Marcel Duchamp
9. Week  Postmodernism: End of great narrations and end of history
10. Week  Postmodernizm: End of Grand Narration and End of History
11. Week  Postmodern Philosophy and Postmodern Philosophers
12. Week  Postmodern Philosophy and Postmodern Philosophers
13. Week  Postmodern Art Movements: Fluxus
14. Week  Postmodern Art Movements: Neo-Dadaism
15. Week  Review of the Lecture
16. Week  Final Exam
 -- RECOMMENDED OR REQUIRED READING
  Bozkurt, Muammer. Video sanatı : enstalasyon/film/performans, İstanbul : Bileşim Yayınevi, 2005. Altunay, Alper. Mekanik sanattan elektronik sanata geçiş ve video sanatı, Eskişehir: Anadolu Üniversitesi, 2004.
 -- PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
  Anlatım, Soru-Yanıt, Gösterme, Uygulama - Alıştırma
 -- WORK PLACEMENT(S)
  no
 -- ASSESSMENT METHODS AND CRITERIA
 
Quantity
Percentage
 Mid-terms
1
40
 Assignment
0
0
 Exercises
0
0
 Projects
0
0
 Practice
0
0
 Quiz
0
0
 Contribution of In-term Studies to Overall Grade  
40
 Contribution of Final Examination to Overall Grade  
60
 -- WORKLOAD
 Efficiency  Total Week Count  Weekly Duration (in hour)  Total Workload in Semester
 Theoretical Study Hours of Course Per Week
14
3
42
 Practising Hours of Course Per Week
14
2
28
 Reading
0
 Searching in Internet and Library
0
 Designing and Applying Materials
0
 Preparing Reports
0
 Preparing Presentation
0
 Presentation
0
 Mid-Term and Studying for Mid-Term
1
4
4
 Final and Studying for Final
1
6
6
 Other
0
 TOTAL WORKLOAD: 
80
 TOTAL WORKLOAD / 25: 
3.2
 ECTS: 
3
 -- COURSE'S CONTRIBUTION TO PROGRAM
NO
 PROGRAM LEARNING OUTCOMES
1
2
3
4
5
1Able to think in a creative wayX
2Having the theoretical knowledge about photography, video and cinemaX
3Knowing the terminology of phototography, video and cinemaX
4Able to use the devices and their components which are used to produce photography and videoX
5Knowing about history of art, aesthetics, photography and cinemaX
6Able to criticise and evaluate the visual works of othersX
7Having enough knowledge about psychology and socioloy to support his/her basic communication skillsX
8Able to work with digital video and photo processing softwareX
9Having theoretical knowledge about studio photography, advertisement photography, documentary photography and filming and ability to create his/her own work in these fieldsX
10Having a knowledge on studio, advertising, documentary film and photography and also able to implement them.X