GAZI UNIVERSITY INFORMATION PACKAGE - 2019 ACADEMIC YEAR

COURSE DESCRIPTION
GENRES IN CINEMA AND DIRECTORS II/FOV 212
Course Title: GENRES IN CINEMA AND DIRECTORS II
Credits 3 ECTS 3
Semester 4 Compulsory/Elective Compulsory
COURSE INFO
 -- LANGUAGE OF INSTRUCTION
  Turkish
 -- NAME OF LECTURER(S)
   Kurtuluş Özgen
 -- WEB SITE(S) OF LECTURER(S)
  http://websitem.gazi.edu.tr/site/kozgen
 -- EMAIL(S) OF LECTURER(S)
  kozgen@gazi.edu.tr
 -- LEARNING OUTCOMES OF THE COURSE UNIT
Students learn history of cinema
Students learn cinema movements
Students learn important film directors in cinema history
 -- MODE OF DELIVERY
  The mode of delivery of this course is Face to face
 -- PREREQUISITES AND CO-REQUISITES
  There is no prerequisite or co-requisite for this course.
 -- RECOMMENDED OPTIONAL PROGRAMME COMPONENTS
  There is no recommended optional programme component for this course.
 --COURSE CONTENT
1. Week  The Lumière Brothers' First Films
2. Week  Georges Méliès: A Trip to Moon
3. Week   D.W. Griffith: The Birth of a Nation
4. Week  Dziga Vertov: Man with the Movie Camera
5. Week  Sergei M. Eisenstein:Bronenosets Potemkin
6. Week  Robert Wiene:Das Cabinet des Dr. Caligari
7. Week  Midterm Exam
8. Week  Alfred Hitchcock: The Birds
9. Week  Roberto Rossellini: Roma, Città Aperta
10. Week  Jean-Luc Godard: Vivre Sa Vie
11. Week  Stanley Kubrick: Full Metal Jacket
12. Week  Akira Kurosawa:Ran
13. Week  Bernardo Bertolucci: Last Tango in Paris
14. Week  Béla Tarr: The Turin Horse
15. Week  Ridley Scott:Prometheus
16. Week  
 -- RECOMMENDED OR REQUIRED READING
  Deniz Derman vd. (ed.) Sinema Akımları. Ankara: Medcampus Yayınları, 1997. James Monaco, Bir Film Nasıl Okunur? Sinema Dili, Tarihi ve Kuramı, çev. Ertan Yılmaz. İstanbul: Oğlak Yayınları, 2001. Geoffrey Nowell-Smith (ed.) Dünya Sinema Tarihi, çev. Ahmet Fethi. İstanbul: Kabalcı Yayınevi, 2003. Alim Şerif Onaran, Sinemaya Giriş. İstanbul: Maltepe Üniversitesi Yayınları, 1999.
 -- PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
  Lecture, Question & Answer, Demonstration, Drill - Practise
 -- WORK PLACEMENT(S)
  Not Applicable
 -- ASSESSMENT METHODS AND CRITERIA
 
Quantity
Percentage
 Mid-terms
1
40
 Assignment
0
0
 Exercises
0
0
 Projects
0
0
 Practice
0
0
 Quiz
0
0
 Contribution of In-term Studies to Overall Grade  
40
 Contribution of Final Examination to Overall Grade  
60
 -- WORKLOAD
 Efficiency  Total Week Count  Weekly Duration (in hour)  Total Workload in Semester
 Theoretical Study Hours of Course Per Week
14
3
42
 Practising Hours of Course Per Week
0
 Reading
14
2
28
 Searching in Internet and Library
0
 Designing and Applying Materials
0
 Preparing Reports
0
 Preparing Presentation
0
 Presentation
0
 Mid-Term and Studying for Mid-Term
1
4
4
 Final and Studying for Final
1
8
8
 Other
0
 TOTAL WORKLOAD: 
82
 TOTAL WORKLOAD / 25: 
3.28
 ECTS: 
3
 -- COURSE'S CONTRIBUTION TO PROGRAM
NO
 PROGRAM LEARNING OUTCOMES
1
2
3
4
5
1Able to think in a creative wayX
2Having the theoretical knowledge about photography, video and cinemaX
3Knowing the terminology of phototography, video and cinemaX
4Able to use the devices and their components which are used to produce photography and videoX
5Knowing about history of art, aesthetics, photography and cinemaX
6Able to criticise and evaluate the visual works of othersX
7Having enough knowledge about psychology and socioloy to support his/her basic communication skillsX
8Able to work with digital video and photo processing softwareX
9Having theoretical knowledge about studio photography, advertisement photography, documentary photography and filming and ability to create his/her own work in these fieldsX
10Having a knowledge on studio, advertising, documentary film and photography and also able to implement them.X