GAZI UNIVERSITY INFORMATION PACKAGE - 2019 ACADEMIC YEAR

COURSE DESCRIPTION
SOUND DESIGN II/FOV 410
Course Title: SOUND DESIGN II
Credits 2 ECTS 3
Semester 8 Compulsory/Elective Compulsory
COURSE INFO
 -- LANGUAGE OF INSTRUCTION
  Turkish
 -- NAME OF LECTURER(S)
  Lect. Barış KONOR
 -- WEB SITE(S) OF LECTURER(S)
  -
 -- EMAIL(S) OF LECTURER(S)
  bariskonor@gazi.edu.tr
 -- LEARNING OUTCOMES OF THE COURSE UNIT
Learning of sound prosesing technics
Learning of new and creative digital sounds
 -- MODE OF DELIVERY
  The mode of delivery of this course is Face to face
 -- PREREQUISITES AND CO-REQUISITES
  The only prerequiste of this lecture is not to get "D" from Sound Design 1 lecture.
 -- RECOMMENDED OPTIONAL PROGRAMME COMPONENTS
  There is no recommended optional programme component for this course.
 --COURSE CONTENT
1. Week  Repetition of previous semester
2. Week  Digital sound processing technics 1
3. Week  Digital sound processing technics 1
4. Week  Some examples of digital sound processing
5. Week  Some examples of digital sound processing
6. Week  Practise
7. Week  Practise
8. Week  Midterm Exam.
9. Week  Digital sound processing technics 2
10. Week  Digital sound processing technics 2
11. Week  Some examples of digital sound processing
12. Week  Some examples of digital sound processing
13. Week  Practise
14. Week  Practise
15. Week  Review, critics, subcription
16. Week  Final Exam
 -- RECOMMENDED OR REQUIRED READING
  Alten, S. R. (1994). Audio in media. Belmont, California: Wadsworth. Andrews, M. (1993). The incredible sound machine. New York: Addison-Wesley. Buhler, J., Flinn, C., & Neumeyer, D.(2000). Music and Cinema. Hanover: Wesleyan University Press. Burt, G. (1994). The Art of Film Music. Pennsylvania: Northeastern University Press. Carlin, D. (1992). Music in film and video productions. London: Focal Press. Chion, M. (1994). Audio-vision: Sound on screen. New York: Columbia University Press. Cooke, Mervyn (2008) A History of Film Music. Cambridge University Press. Gibson, D. (1997). The art of mixing. Emeryville, California: MixBooks. Pasquariello, N. (1996). Sounds of Movies: Interviews with creators of feature sound tracks. San Francisco, California: Post Bridge Books. Pendergast, R. (1992). Film Music: A neglected art: A critical study of music in films. W. W. Norton & Company. Sonnenschein, D. (2001). Sound design: The expressive power of music, voice, and sound
 -- PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
  Lecture, Question & Answer, Demonstration, Drill
 -- WORK PLACEMENT(S)
  -
 -- ASSESSMENT METHODS AND CRITERIA
 
Quantity
Percentage
 Mid-terms
1
20
 Assignment
0
0
 Exercises
1
20
 Projects
0
0
 Practice
0
0
 Quiz
0
0
 Contribution of In-term Studies to Overall Grade  
40
 Contribution of Final Examination to Overall Grade  
60
 -- WORKLOAD
 Efficiency  Total Week Count  Weekly Duration (in hour)  Total Workload in Semester
 Theoretical Study Hours of Course Per Week
14
1
14
 Practising Hours of Course Per Week
14
1
14
 Reading
5
2
10
 Searching in Internet and Library
5
3
15
 Designing and Applying Materials
0
 Preparing Reports
0
 Preparing Presentation
0
 Presentation
0
 Mid-Term and Studying for Mid-Term
1
6
6
 Final and Studying for Final
1
8
8
 Other
0
 TOTAL WORKLOAD: 
67
 TOTAL WORKLOAD / 25: 
2.68
 ECTS: 
3
 -- COURSE'S CONTRIBUTION TO PROGRAM
NO
 PROGRAM LEARNING OUTCOMES
1
2
3
4
5
1Able to think in a creative wayX
2Having the theoretical knowledge about photography, video and cinemaX
3Knowing the terminology of phototography, video and cinemaX
4Able to use the devices and their components which are used to produce photography and videoX
5Knowing about history of art, aesthetics, photography and cinemaX
6Able to criticise and evaluate the visual works of othersX
7Having enough knowledge about psychology and socioloy to support his/her basic communication skillsX
8Able to work with digital video and photo processing softwareX
9Having theoretical knowledge about studio photography, advertisement photography, documentary photography and filming and ability to create his/her own work in these fieldsX
10Having a knowledge on studio, advertising, documentary film and photography and also able to implement them.X