GAZI UNIVERSITY INFORMATION PACKAGE - 2019 ACADEMIC YEAR

COURSE DESCRIPTION
ELECTIVE : VIDEO EDITING I/GIT 403
Course Title: ELECTIVE : VIDEO EDITING I
Credits 3 ECTS 5
Semester 7 Compulsory/Elective Elective
COURSE INFO
 -- LANGUAGE OF INSTRUCTION
  Turkish
 -- NAME OF LECTURER(S)
  Kurtuluş Özgen
 -- WEB SITE(S) OF LECTURER(S)
  http://websitem.gazi.edu.tr/site/kozgen
 -- EMAIL(S) OF LECTURER(S)
  kozgen@gazi.edu.tr
 -- LEARNING OUTCOMES OF THE COURSE UNIT
Video editing lecture aims to teach editing theory in film production (fiction and non-fiction)process.
Rapid changes in technology,enforces media world and cinema to use non-linear editing systems. This course concantrates on teaching non-linear editing
Teaching linear and non-linear editing systems to students
 -- MODE OF DELIVERY
  The mode of delivery of this course is Face to face
 -- PREREQUISITES AND CO-REQUISITES
  There is no prerequisite or co-requisite for this course.
 -- RECOMMENDED OPTIONAL PROGRAMME COMPONENTS
  There is no recommended optional programme component for this course.
 --COURSE CONTENT
1. Week  Moving picture shot types. Moving picture camera angle
2. Week  Editing Theory (Soviet Montage Editing)
3. Week  Editing Theory (Soviet Montage Editing)
4. Week  Editing Theory (Soviet Montage Editing)
5. Week  Editing Theory (Soviet Montage Editing)
6. Week  Editing Theory (Soviet Montage Editing)
7. Week  Mid Term Exam
8. Week  Fundementals of Cutting Reverse Angle / POV / Action - Reaction / Close Up
9. Week  Fundementals of Cutting
10. Week  Fundementals of Cutting
11. Week  Rhythm Editing rhythm, tempo, speed
12. Week  Time in editing
13. Week  NLE Editing Systems
14. Week  NLE Editing Systems
15. Week  Final Exam
16. Week  Final Exam
 -- RECOMMENDED OR REQUIRED READING
  * Sinema ve TVde Görüntü Kurgusu çev: Semir Aslanyürek / Aleksey G. Sokolov * Sinemada diyalektik kurgu, İstanbul: Beykent Üniversitesi, 2008 / Asiltürk, Cengis T. *Sinemanın Beş Temel Ögesi,çev.Hakan Gürses, Ankara: İmge Kitapevi Yayınları, 2002 / Joseph V. Mascelli, Bir Film Nasıl Okunur? Sinema Dili, Tarihi ve Kuramı, çev. Ertan Yılmaz. İstanbul: Oğlak Yayınları, 2001./ James Monaco,
 -- PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
  Lecture, Question & Answer, Demonstration, Drill - Practise
 -- WORK PLACEMENT(S)
  Short Film Project
 -- ASSESSMENT METHODS AND CRITERIA
 
Quantity
Percentage
 Mid-terms
1
40
 Assignment
0
0
 Exercises
0
0
 Projects
0
0
 Practice
0
0
 Quiz
0
0
 Contribution of In-term Studies to Overall Grade  
40
 Contribution of Final Examination to Overall Grade  
60
 -- WORKLOAD
 Efficiency  Total Week Count  Weekly Duration (in hour)  Total Workload in Semester
 Theoretical Study Hours of Course Per Week
14
4
56
 Practising Hours of Course Per Week
14
2
28
 Reading
14
1
14
 Searching in Internet and Library
0
 Designing and Applying Materials
4
4
16
 Preparing Reports
0
 Preparing Presentation
0
 Presentation
0
 Mid-Term and Studying for Mid-Term
1
6
6
 Final and Studying for Final
1
8
8
 Other
0
 TOTAL WORKLOAD: 
128
 TOTAL WORKLOAD / 25: 
5.12
 ECTS: 
5
 -- COURSE'S CONTRIBUTION TO PROGRAM
NO
 PROGRAM LEARNING OUTCOMES
1
2
3
4
5
1By learning the necessary information in terms of historical, theoretical and practical in the field of visual communication design, and using this information in integrate of each other, consideration and positioning own works in the sight of these information in a critical way.X
2By following the national and international developments, implementing own practices in a contemporary level in accordance with these developments.X
3To be able to learn technical information and artifice those are used necessarily parallel in technological developments and use them in own works.X
4To have the necessary information and experience in two-dimensional and motion image production, processing and consideration.X
5To create appropriate color, value and composition containing stain functional, aesthetic and design elements for unique visual communication.X
6To produce creative concepts and turn those concepts to graphic, photographic, illustrative, three-dimensional, motion or interactive visual expressions.X
7To produce original visual solution by considering different projects in terms of visual communication design.X
8To be able to design the steps of practical projects in relation with the field, to provide process management and to earn the discipline to complete the projects successfully in the given time.X
9To attain the sources for field works and to plan owns development process.X
10To use in a respective and sensitive way to social values and personal benefits, the theoretical, technical and technological information that is gained in practical works which is relative to the field, in accordance with ethical and legal regulations.X